суббота, 9 февраля 2013 г.

The Walters Art Museum - Antique Porcelain China

The Walters Art Museum - Antique Porcelain China
Chinese ceramic ware shows a continuous development since the pre-dynastic periods, and is one of the most significant forms of Chinese art. China is richly endowed with the raw materials needed for making ceramics. The first types of ceramics were made during the Palaeolithic era. Chinese Ceramics range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court. Porcelain is so identified with China that it is still called "china" in everyday English usage.
Bowl Mounted with Two Fish. 1730-1740
The European practice of mounting porcelains with silver and gold embellishments began as early as the Middle Ages. This custom reached its apogee in eighteenth-century France, where the taste for Asian exoticism as well as the extravagance of the Rococo style created a consumer desire for luxury objects typified by mounted porcelains. Japanese and Chinese porcelains emerged in the luxury markets of Europe following their import by the Dutch East India Company in the seventeenth century. The French taste for these porcelains was further stimulated after the Siamese ambassadors visited the court of France in 1684 and 1686. The ambassadors brought more than 1500 porcelains for Louis XIV, as well as numerous other ceramic wares for members of the court. The royal family began collecting these objects, with the aristocracy of France quickly following suit. By the beginning of the eighteenth century, Europe was inundated with an influx of Asian porcelains. The simple elegance of porcelain appealed to wealthy Europeans not just for its aesthetic qualities, but also for the mysterious nature of its creation. The recipe for porcelain eluded European artisans for centuries. It was not until 1708 in Dresden that kaolin was found to be the missing ingredient. Even after this discovery, Europeans preferred their porcelains to be imported, enhancing their value through rarity and exoticism. The most prized porcelain wares in early eighteenth century were large vessels with single-color glazes, as these were the most difficult to transport and therefore the rarest. However, these forms did not complement the extravagant Rococo fashion of the French elite's interiors. The Rococo manner of the mid-eighteenth century is distinguished by playful superflousness, natural forms intertwined in ornate, asymmetrical designs, and colors such as pastels and gold. The juxtaposition of Asian porcelains with Rococo gilded mounts adapted the eastern objects to the French interiors.
This porcelain lamp is from the Long Quan [Lung-ch'üan] celadon kilns.15th-16th century.



Vase with Floral Sprays.1675-1725.
Bowl with Flowering Prunus.1720-1730.
Coiled-Dragon Vase. 1710-1722
Covered Bowl with Flowers and Plum Blossoms. 1675-1725.
Covered Box. 18th century.
Five-Stemmed Vase. 1730-1800.
Pair of Blue and White Jars with Three Peonies and Symbols. 1675-1725.
Pair of Covered Bowls. 1725-1770.
Pair of Famille Verte Wine Pots in the Form of the Characters.This pair of pots is an example of famille verte porcelain. They take the form of the characters Fu (Happiness) and Shou (Long Life).1675-1725.
Pair of Powder Blue Bottles with Prunus Blossoms. 1675-1725.
Pair of Shells Mounted as Containers. 1740-1750.
Pair of Vases. Henry Walters Collection, Baltimore, prior to 1897 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Pair of Vases in the Form of Twin Fishmid. 18th century.
Pair of Vases in the Shape of Twin FishPair of Vases in the Shape of Twin Fish/
Pair of Vases with Trigrams. 1725-1775.
Vase with a Grapevine Motifca. 1800.
Vase with Birds and Bamboo. 1870-1880.
This pair of ornaments (with Walters 86.1) and headdress (Walters 86.3) were likely once worn by the empress dowager, the effective ruler of China during the later years of the Qing Dynasty.

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